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Ryan Vaughn’s weekend at the Mulholland house

The Shards

Bret and Ryan’s weekend at the Mulholland house is both the culmination of their guarded attraction and, in Bret’s later account, the last period of uncomplicated happiness before the violence of autumn 1981. The weekend brings the two boys into an intimacy that feels unusually mutual to Bret; its end, when Ryan leaves without waking him or saying goodbye, already exposes a difference in how seriously each has taken it.

Background and Approach

By September 1981, Bret and Ryan had known each other since seventh grade but had only recently become close. Their connection gathered force through shared lunches at Buckley and private encounters made possible by driving around Los Angeles. Ryan had previously hesitated when Bret approached him, explaining that he wanted intimacy but not yet; later, he described their relationship as requiring secrecy. For both boys, keeping their attraction hidden was bound up with the hope of leaving high school and beginning again elsewhere.

The weekend began without elaborate arrangements. On a Friday afternoon at their lockers, Ryan simply told Bret he would spend the weekend at Bret’s house. The ease of the invitation contrasted with their earlier caution, but Bret’s physical nervousness showed how much the encounter mattered to him. In retrospect, he understood the weekend as being about desire and the hope attached to it: a brief experience of closeness before the events that would change how he remembered his youth.

The Weekend at the House

Ryan arrived that evening in his Trans Am with a duffel bag. The two were nervous and awkward as they entered the house, where Bret’s dog, Shingy, provided a momentary distraction. They spent most of the weekend at the house, moving between the bedroom, pool, and living room rather than going out. Their one trip was to the Beverly Glen Centre market for beer and steaks; they grilled dinner on Saturday and otherwise relied on food already in the refrigerator. Football on television helped structure the quiet days.

Bret remembers their physical relationship as sustained and reciprocal. Unlike an earlier, hurried encounter, this time they had the privacy and time to be attentive to each other. He emphasizes that neither was confined to a fixed role and that they took turns initiating and receiving intimacy. For Bret, that balance made the experience different from his past relationship with Matt Kellner: he felt that Ryan’s presence temporarily displaced the grief and attachment associated with Matt.

The domestic quiet also made the weekend feel unusually unburdened. Bret ignored calls from Susan and his mother, who was away in Greece, and spoke only briefly with Debbie, assuring her that he was fine. Ryan and Bret watched films and television, listened to music, and spent time together at the house. The ordinary details matter in Bret’s recollection because the weekend was not defined by social performance or a dramatic declaration, but by privacy, time, and the ease of being together.

A Brief Refuge and Its Unequal Meaning

As the weekend continued, Ryan’s relaxed manner and their shared intimacy encouraged Bret to invest the encounter with a larger significance. Bret later described it as the last weekend of his life that was not yet tainted by the past. It took place shortly before Matt disappeared and Julie Selwyn’s body was found, and before the fear and paranoia that would dominate Bret’s memories of the fall. The calmness was real, but its later meaning was shaped by what followed.

The weekend also exposed a mismatch in expectation. After Ryan had been drinking, he spoke disparagingly of Thom, calling him unaware and privileged; Bret recognized that he had not fully understood Ryan’s resentment or the class differences Ryan experienced at Buckley. Ryan nevertheless remained someone Bret had often seen primarily through his physical appeal, a limitation Bret later acknowledged. The intimacy did not automatically give Bret a complete understanding of Ryan or guarantee a shared future.

On Sunday night, Ryan left after they had fallen asleep together. He knew the housekeeper would arrive in the morning and made sure Bret set an alarm, but when it rang, Ryan was already gone. He had not woken Bret, said goodbye, or kissed him. Bret’s first response was sadness and panic, followed by the painful suspicion that the encounter had affected him more deeply than it had affected Ryan. The quiet departure turned a weekend Bret experienced as mutual into an uncertain beginning rather than a promise.

Retrospective Meaning

Bret’s adult narration places the weekend at a divide between innocence and corruption. He recalls it as the last calm interval before the events of 1981, while recognizing that later periods of pleasure would always carry knowledge of that year. In this structure, the weekend’s peace is not simply a contrast to later violence; it is also a measure of what Bret believes he lost and a memory through which he marks the end of youthful hope.

The relationship did not develop into the future Bret imagined. Ryan barely spoke to him for the rest of their senior year. At graduation in June 1982, they unexpectedly encountered one another in the boys’ bathroom at the Pavilion, both still in red robes and mortarboard caps. Bret began to address him, but Ryan interrupted with a brief farewell and their old shared expression. Decades later, Bret learned through a former classmate that Ryan was reportedly an architect living with a partner in San Francisco. The news wounded him despite the many years that had passed, showing how the weekend remained attached to the possibility of a life the two boys had once been unable to imagine openly.